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He could see her from where he stood on the street below. She was halfway out of the tall window and though he couldn’t hear it she seemed to be screaming. What in God’s name was going on? Dodging traffic Pike crossed the street to see if he could get a better look. He wasn’t being nosy; he was just a journalist out looking for his next photo op. But now he didn’t have his camera loaded. The Nikon hung around his neck empty and useless. Pike patted his jean pockets and felt one familiar round canister against his leg. Well at least he had an extra roll, but did he have time to snap it into the camera before the girl disappeared? He’d have to try.
He pulled the canister from his pocket, popped the top with his thumb, clicked the button on the camera to open the film door and loaded it quickly. The lens was off and he had the view finder to his eye in a matter of seconds, head thrown back, searching the row of windows for the girl. They were empty. He let the camera hang back around his neck and sighed, maybe he should just keep walking. No, something about that girl didn’t feel right. But what could he do now that she was gone; he had no idea how to find her in such a large building. Then he heard a scream and his eyes darted back up the flight of windows. She was there, screaming and physically fighting with someone. Quickly Pike counted the floors and windows from the ground to her and was inside the building and taking the elevator to the seventeenth floor. His photo op forgotten Pike rushed through the elevator doors and into the hallway. He ran to his left, counting doors and praying he’d get there in time.
The brown doors and the grey walls paralleled Pike's flight as he ran down the
hallway. They blended together in his rush to create a melancholy tunnel who's light
was the door marked with the golden number eighty-five. He stopped at it abruptly and as he reached for the doorknob he paused to collect his thoughts. In his hurry he had completely neglected to think about what his course of action should be. Should he burst in the door? Should he knock? It occurred to him that as he sat there debating his next move the woman in
the building could be suffering. With the sudden motivation of a good Samaritan, he
angled his shoulder towards the door and threw himself into it with his full weight.
The door rang with a loud "smack!" as he hit it and fell to the floor.
"Damn!" cursed Pike from the brown carpet floor, "I did NOT think that door
would be so stubborn!" He sighed and lifted himself back up to face his opponent once
more. There was definitely someway to break these doors down, he had seen it done on
location at many police raids. The officers did it with such ease. He paused, preparing
to attack the door once again, when it occurred to him he heard no sound from inside.
Now aware of the opressive silence that surrounded him, Pike feared he was too late. He gently touched his ear to the door's surface and listened for movement. At first, there was not a single sound and then came a loud thump. Instantly, Pike pictured the woman falling to the ground in death's cold embrace. He stumbled backwards and reached for the closest thing he could to steady himself- the doorknob. His hand gave it a slight twist as he struggled not to fall. But, the laws of physics were not on his side and his weight shifted heavily into the door. The hinges creaked and the door slid open gracefully. Pike lost his grip on the doorknob and tumbled forward onto the brown carpet. This time, he lay sprawled in a darkened room.
Moaning, he picked his head up and glanced around him. The lights in the room
were off and the shades were drawn. Pike couldn't make out a single form in the
darkened abode. Confused, he lifted himself to his hands and knees so he could
investigate. As he crawled deeper into the seemingly deserted home Pike's eyes began
to adjusted to the deep, velvet-like black all around him. He could now make out the
shapes of chairs and tables. It occurred odd to him that they were all situated in
their correct positions, leaving absolutely no indication of a struggle. From the
living room he crawled into a hallway that branched off into two different rooms. The
one on the left was in the far back of the hallway with the door closed, Pike hoped he didn't have to make the journey all the way to that black hole. The door on the right was much closer and although he couldn't be sure, Pike thought the door was open. He scuffled along the rough carpet to the entryway and sure enough the door was wide open. He slid inside and immediately recognized a bed in the moonlight that creeped through the blinds. Pike's breath
caught in his throat. He could make out a form on the bed, it had to be the girl he had seen in the window! Hoping she wasn't hurt he reached up onto the bed and instantly felt moisture on the soft pastel bedcovers. Blood! Pike grimaced and felt his throat go dry. He was too obviuosly late. Mournfully, he stood up and walked over to thelight switch to illuminate the young woman. He flicked the switch wistfully and then gasped.
Pike's mind was reeling when he looked upon the bedroom scene. An old man laid
sprawled across the pastel pink mattress, breathing gently. His mouth was opened wide,
leaking his thick drool in a stream down his pillow and into a shallow pool on the
sheets. Pike looked down at his hand...no blood. He furrowed his eyebrows, deep in
thought and it dawned on him that the "blood" he had touched was in reality the old
man's saliva. He felt his stomach turn and stumbled backwards into the wall. Suddenly
the sleeping man snorted and opened his eyes. For an instant, drowsiness clouded his
sight and then he snapped out of it and sat up.
"Who the hell are you?!" his rough voice demanded. The old man's eyes turned
angry and he reached under his pillow. When his shaky hand came back from under the
pillow, he was holding a 45-caliber glock. Pike's jaw dropped and he threw his hands up
in the air, closed his eyes, and sunk to the floor.
"Please mister, don't shoot!" he screamed at the top of his lungs, tears
running anxiously down his cheeks. "I was just investigating, I...I...saw.." his voice
trailed off into a wave of sobs.
"You didn't see anything, you're a damned dirty drug dealer stealing from a man who's worked more in one year than you've ever..." the old man accused and leveled the glock at Pike's head. He was shaking, but his finger was braced steadily on the trigger. Five long moments of hesitation and fear spread out before them and then a loud knock broke the spell.
"Mr. Olsen? Are you okay in there?" a young woman's voice queried, followed by another loud knock on the door frame. "I heard screaming," she continued, voice getting closer to them as she entered. Her soft footsteps padded down the hall and then into the entryway of the room. For a moment she stood transfixed, framed like a fragile piece of artistry held in mock surprise. But that instant fled swiftly and she was alert once more. "What's going on?" she asked Mr. Olsen, glancing over at the young man leaning against the wall with his head in his hands. He seemed to be crying. She looked back over to Mr. Olsen's hands desperately clutching the gun, "put it down for me, sir...please? You know you're not supposed to have that in the building." She urged him softly and he complied although his eyes filled with resentment.
"This scum bag robbed me and was about to kill me in my sleep Susan!" he bellowed defensively.
"Wait," sobbed Pike, "that's not what happened at all!" He raised his head out of his hands to plead his case to his new judge. His misty eyes looked up to her face and suddenly his heart stopped. He recognized this girl. She was the girl from the window, dressed in a white t-shirt and sweat pants with her black hair tied up tightly in a ponytail. "You!" he gasped, "I saw you struggling with someone!" He held his camera up, "at first I tried to take a picture but then I saw you were really in trouble. But...but...I came here and I didn't find you..." Pike voice trailed off in exhaustion. Both Mr. Olsen and Susan looked at him in surprise. A smile appeared on the girl's face and slowly she began to chuckle.
"What's your name?" the girl asked still grinning.
"It's...Pike," he answered, confused as to why she was laughing at him.
"Well Pike," she said, "I think you must not realize that this is a community for the elderly," Mr. Olsen grimaced, "and those not able to care for themselves. We strive to maintain normalcy in our environment and so we all live together in this apartment. I'm the attendant for this floor, Susan Daniels. I live one room over." Pike frowned and bowed his head in embarrassment. He had broken into the wrong room and managed to disturb an innocent old man's sleep. He felt moronic at the very least.
"So who were you fighting in your room," he asked from his humbled position.
Susan chuckled again, "I had an appointment for my self-defense class, which is a requirement for the attendants here, but the class was small so a couple of the people and I came back to my place and started reenacting scenes from different action movies. It's good practice, really." She flashed Pike another grin, "you should try it sometime."
Pike let himself slouch further into the wall hoping he could disappear into it. As he looked down at the camera laying on his lap he realized for the first time in his life, he found a situation he would not want to capture in images and light.
------ "God grant me distraction."
-Zampano
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