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He’s 22 and still under the bed, playing
Only now he calls it being a Goth.
He hides from the sun.
And the more he hides,
The more he fears the day.
“Night is beautiful and deep,” he tells me.
“Yes…. yes, it is,” I reply
As I kick my broad white skirt.
(I like the way it flows against my skin
And how pale its movements are in the moonlight.)
“But the night cannot be beautiful without the day.”
He says nothing. I know he is afraid.
Blackness hides his emptiness,
His empty depression,
His euphoric nothingness.
He passes his silence to me
And I will carry it with me into the day.


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The following comments are for "Euphoric Nothingness"
by Persephone

Meh...
The title bothers me somewhat: I read it like I would an oxymoron. To me, void and nothingness have a dysphoric rather than euphoric effect on mood. But that's just me. What bothers me more, though, is the effect this title has on the piece as a whole, and on the choices made therein.
For example, "if you don't stop being afraid of the day, I will make you even more afraid by taking away from you the beauty of the night": this is what I'm getting here, almost like a goading of the Goth from under his bed. Yet, it's not fully believable, because the enticement into the white skirts happens under moonlight...
So, I don't know about this...
Perhaps a physical attribute of the Goth might add dimension to this.
The final two lines are, though, strangely compelling, almost like opening lines to another poem. Does his silence then become your silence? etc...

Thanks for this interesting vignette.

Lucie

( Posted by: windchime [Member] On: December 15, 2005 )





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